When it comes to the creative process, we strongly believe in the power of ‘why not’. In a world where audiences are bombarded with an almost infinite number of messages an images, it takes something extraordinary to stand out. The development of strong, creative concepts lies at the heart of all our work. Our creative team loves to take an idea and completely turn it inside out, finding new ways for brands to connect to their audience. And it’s our ability to come up with irresistible stories that enable brands to turn audiences into their biggest fans.
We make big ideas into a reality with a lean and mean approach.
Being ‘full-service’ means we have in-house directors, cameramen, D.O.P.s, visual fx designers, copywriters, sound designers, editors and colorists that excel in their disciplines. Having this team all work under one roof, gives us the flexibility to adapt to ever-changing conditions, and offer our client great value.
Our team of in-house producers is continuously aligning all stakeholders from briefing to delivery, making sure we make the most out of every budget.
We own and operate most of the equipment needed for remarkable 4K cinematography, making us both flexible and cost efficient.
Cinematography is about telling a story in every image. We are always looking for those special glimpses of magic. It’s our mission to give the viewer perspectives they have never seen before. We meticulously prepare every shoot, so we know exactly what shots we are looking for. By using advanced drones, Cineflex systems, cranes and high-end cameras such as the Red Epic Dragon and the Phantom 4k Flex we keep pushing our images to the next level. When it comes to production, cinematography and lighting, we leave nothing to chance.
At Eyeforce we strongly believe in the power of aerial cinematography. And for good reason. A well timed aerial shot lifts any production to new heights. Which is why we own a number of high-end drones with 4k cameras and we have direct access to a Cineflex system we use on helicopter shoots. We have trained in-house Cineflex operators to ensure Eyeforce quality in the air. We believe putting a D.O.P. behind the controls of a Cineflex is what ultimately gives you the best result possible.
Our D.O.P.s have years of experience in flying drones, and know how to fly in the most gnarly conditions and still get the shot.
Since aerial cinematography is such a specialized craft, these specialists are even available for stand-alone bookings. Depending on budget and demands, we can give you multiple eyes in the sky, whether that is with a cineflex or a drone, to capture breathtaking aerial images.
Watch our Aerial reel here
At Eyeforce we have water running through our veins. It’s at the core of why we do what we do. Eyeforce started out with water sports films and we’ve been following and riding waves for as long as we can remember. From filming in 20ft waves in Fiji to underwater free diving: our cameramen enter the deep at almost all our productions to capture that unique water angle. Doing this for the past eight years has provided us with invaluable experience when it comes to water shoots in all genres.
We have our own underwater housing for the Red Epic Dragon, which delivers 4K footage, up to 120 frames per second. Also we have a waterhousing for our fs700, a camera that shoots speeds up to 240fps on full HD. With our abilities in water, we give sports, lifestyle, travel and commercial concepts an angle few others can provide.
Watch our Water reel here
At the Eyeforce offices, we have a number of highly skilled and well spoken editors who have made Adobe Premiere their second home. Sometimes it’s their first. They can edit like it’s an art form. We own several edit suites, ready to handle any volume of high-end 4-6K footage we care to throw at it. Our editors work closely with our in-house motion graphics studio. We always have senior supervision ready for the essential internal review of our products. If it’s not up to the Eyeforce standards, it’s not leaving the edit suite until it is.
While nothing makes your mouth water like beautifully shot images, only sound and music make your spine tingle and your heart beat faster. Ask anyone what gives them goosebumps, and they will tell you it’s a beautiful melody, the way suspense builds in a scene, or a climactic ending.
Eyeforce is home to a fantastic sound design studio Electric Cinema. Electric Cinema is a musical collaboration between Marcel Kaper and Bob van de Gronde, born from a shared passion for storytelling through music.
Our editors are highly experienced when it comes to adding sound fx to their edits. Instead of adding sound fx after the edit is locked, we see sound design as part of the editing process. We feel that to achieve the highest possible emotional impact, you need to think about sound design when building your story.
Whether you need the most stunning CGI worlds or simple text graphics for your production, we offer a selection of animation talent ready for the job. They work with a variety of programs including After Effects, Cinema 4d and Flame.
In The Big Lebowski it was the rug that ‘really tied the room together’; in film it’s color grading. At Eyeforce a number of editors have mastered this vital aspect of post production. Without skillful color grading, scenes shot at different locations with different lighting situations won’t match up. Great color grading really brings all the scenes in a film together, and can set the right vibe and mood from the very first frame. A big advantage of filming with our Red Dragon 4K cameras is their ability to shoot RAW material, which gives us unprecedented grading capabilities to make the most of every single shot.